%0 Conference Proceedings
%T Creating Memory: Reading a Patching Language
%+ Illawarra Institute
%A Barkl, Michael
%< avec comité de lecture
%( IFIP Advances in Information and Communication Technology
%B Second IFIP TC 14 Entertainment Computing Symposium (ECS) / Held as Part of World Computer Congress (WCC)
%C Brisbane, Australia
%Y Ryohei Nakatsu; Naoko Tosa; Fazel Naghdy; Kok Wai Wong; Philippe Codognet
%I Springer
%3 Cultural Computing
%V AICT-333
%P 111-117
%8 2010-09-20
%D 2010
%R 10.1007/978-3-642-15214-6_11
%K Music composition
%K electronic music
%K Pure Data
%K Pd
%Z Computer Science [cs]/Digital Libraries [cs.DL]Conference papers
%X Musical analysis from score, particularly of structural principles used by the composer, is an area fraught with potential errors caused by conjecture and interpretation. Analysis of music composed using a computer patching language may, alternatively, provide a far more reliable document of a composer's methods. This paper examines a small number of patches created using Miller Puckette's Pure Data (Pd), composed as part of a series of large scale electronic pieces.
%G English
%2 https://inria.hal.science/hal-01056350/document
%2 https://inria.hal.science/hal-01056350/file/11-paper_28Barkl_29-A.pdf
%L hal-01056350
%U https://inria.hal.science/hal-01056350
%~ IFIP
%~ IFIP-AICT
%~ IFIP-AICT-333
%~ IFIP-TC14
%~ IFIP-WCC
%~ IFIP-2010
%~ IFIP-ECS